Tuesday, July 29, 2014

New Mego Figure Confirmed- Supergirl


A while back, I talked about the possibility of a new Supergirl classic Mego figure. And now it looks like it is going to actually happen.

Over at figurestoycompany.com, the Supergirl figure has been revealed! Head here for details:
http://figurestoycompany.com/supermanretro8inchactionfiguresseries1superman-1.aspx

I have to say ... it looks great in a retro sort of way.

This is definitely a 70's looking Supergirl with puffy sleeves and hot pants. She is wearing ballerina slippers, not boots. The collar being around the neck even mimics the choker look of the time. Now I will say that there is something a bit off with her head and that big forehead.

And it has some of the Mego flourishes, like the legs being covered in fabric.


The packaging looks pretty nice complete with plastic bubble and beautiful trade art (even if it has her wearing boots).


And the back of the package shows the Superman family figures including Lois, Jimmy, and Clark!!

The figure is a bit pricey at $24.99. My guess is it will be impossible to have this figure stand up on its own so if I end up getting this figure it might actually stay in the packaging.

The release date is late November so start saving your pennies or prepare your holiday wish lists!

Monday, July 28, 2014

SDCC 2014 Supergirl News So Far (Or Lack Thereof)- Oh Yeah, And Wonder Woman


There has been a lot of news coming out of the San Diego Comic Con this year, a lot of it around Wonder Woman in Dawn of Justice as well as Batman comics and Marvel movies.

But I hdidn't much about about Supergirl. I wonder if I have missed some part of a crucial panel about the super-books. Geoff Johns did talk a little Superman at a general DC panel and there was a generic sounding Superman panel.

So I don't have much to report on Supergirl here outside of two pictures from the con, both of which make me jealous of whoever has them.

Jim Lee did 50 quick sketches and hid them around the convention site for people to find. Lee tweeted out both the sketch and the general area where it could be found. One of them was this New 52 Supergirl. That would be a pretty cool find while wandering around!


Now a couple of weeks ago I wrote how Smallville cover artist Cat Staggs was on my wish list for commissions at the Boston Comic-Con.

Staggs tweeted her first commission of the SDCC, this pre-New 52 Supergirl. It is stunning and shows exactly why I hope she is sketching in a couple of weeks.

Anyways, if anyone caught any Supergirl news from the convention please let me know or include a link!



I am probably burying the lead ... but this is a Supergirl blog.

We finally got a sneak peek at Gal Gadot in her Wonder Woman costume for the upcoming Batman v. Superman:Dawn of Justice movie.

So ...

I was absolutely worried that the Wonder Woman costume would be horrible. And so, going in with that fear, I saw this and was pleased. There is definitely a specific Greek feel to this look and Gadot looks strong and fierce.

Yes, I wish there was more color, more red and blue. This muted color thing by Snyder is terrible. Is this whole world brown and gray?

And yes, she is wearing heeled/wedged shoes. Seems foolish to me. But it isn't a deal breaker to me because this could have been much worse.

Now I know that response to this has been dramatic and somewhat heated and negative, especially from hard-core Wonder Woman people whose opinions I respect. But I thought this was fine.


But otherwise there isn't much to report about Superman. Johns' was in the Champions of Justice panel.
Here is what he had to say:

 "We sat down and read every Superman comic from the New 52 and plotted the course of who that character is and what he's been through." Johns said that the human side of Clark Kent had been taken out of the series, but their new take on the Daily Planet staff will help bridge that gap. Coming up is a big change for Jimmy Olsen, which Johns referred to saying, "Dare I say it, it's bigger than Turtle Boy."

So one thing I have complained about is the lack of humanity and empathy in the New 52 Superman. So to actually hear Johns say that he is using the Planet staff to humanize Clark makes me happy.


At the same time, DC All Access came out with a video interview with Johns, John Romita Jr, and Klaus Janson. Here is the link: https://www.youtube.com/watch?v=8fGY9l2vIPk#t=365

It is interesting to see the three interact, especially the general lack of involvement by Romita. But it is here that again we hear that the villain I thought was a new Cleric with a second villain in Toyman in the arc is actually a new villain named the Machinist.

And, there was indeed a Superman panel, covered here by CBR here. But there really is nothing major revealed or discussed here. Worth reading for completeness sake I guess.

Friday, July 25, 2014

Review: Superman #33


Superman #33, the second issue by megastar team of Geoff Johns and John Romita Jr, came out this week and continued to be a revamping and re-solidifying of the Superman mythos while exploring the new arc of Ulysses and Klerik.

I will admit that I am thrilled to see Johns bring back some classic consistency to Superman, something lacking since the New 52. So to see the Daily Planet staff -  Jimmy Olsen as a young photographer (not billionaire slacker), Lois as a dogged reporter (not missing or a Brainiac), and even Ron Troupe and Steve Lombard - was wonderful. It felt right. And that goes a long way.

And the Ulysses arc moves along nicely with a very interesting wrinkle at the end.

For me, I thought this was a perfect sort of second issue for a new creative team and a new arc. It was a bit exposition heavy but that is what second issues often are. Think about this new arc like you would a James Bond movie. The first issue was the opening action sequence, tied into the overall plot but more to grab the reader with a pulse-pounding sequence. After that opening salvo in Bond movies, we get exposition to help set up the plot. Again, the pace and sequence of the story felt right.

I have to be up front and say that I don't like Romita's art.  And this issue doesn't change that much. There are some nice panel set-ups that I liked. But some other places this seems rough.


The book opens with a classic scene, Perry White chewing out his staff for being scooped on the Ulysses story. While it doesn't move the plot forward, it feels like a role call by Johns. We basically go around the room and meet the characters who sometimes give a sort of one-sentence definition of who they are.

Lois Lane is the hard investigative reporter but she gets 'invited in' to get her stories. Steve Lombard is a laidback sort of oaf. Jimmy is the hard-working photographer who always seems to miss the big shot. Ron Troupe is a more of an activist. And this new reporter, whose name escapes me ... sorry, seems more like a hot-shot, attacking reporter, kicking doors down and pouncing. Heck, even Cat Grant seems ready to re-sign with the Planet.

Okay ... the supporting cast is set and defined. Check off that box.

I will say this was the one panel I very much liked. Perry has thrown the rival newspaper in the air. And those floating papers become sort of panel borders. And, as usual I may be over-reading things, I think the paper also helps define the character. Lois is truly surrounded by the paper. She is the most defined by it. The new reporter, looking at her phone, has less paper surrounding her. She isn't as invested in the 'paper', the phone a nice addition. And Ron ... he's in front of the paper. He isn't a news reporter, he's writes opinion pieces, being in front of the news.


Clark arrives at the paper and talks with Perry in private. Clark is working on something on his own and asks Perry about the Ulysses lab, the site of Ulysses birth and journey to Dimension 2.

Talk about exposition! You barely can see the characters as Johns gives us the backstory of Ulysses' parents. But we need this information to move forward. In fact, Perry was the reporter that covered the Ulysses' disaster 25 years earlier.

Perry really wants to bring Clark back into the fold and so cuts a deal. He'll help Clark as much as possible with this story if ... and only if ... Clark gives the story to the Planet. I like this wrinkle very much. It is clear Johns wants Clark back at the Planet. But how to get him there after the impassioned speech Lobdell had him give when he left the Planet? It needs to be done right.


Unfortunately, the middle part of the issue stumbles a bit when we see more of Ulysses.

He arrives at the Planet looking for Superman and finding Clark. Luckily Clark is able to smooth things over, saying that as Clark he is interviewing Ulysses ... finally named to the public. (I do hope that Perry is able to put 2 and 2 together - Clark asking about Ulysses labs, then introducing Ulysses.)

I do love seeing the curiosity raised in Lois when she sees Clark and Ulysses together. Suddenly it really does feel like home again - Land and Olsen are a team again!


Ulysses seems a bit befuddled by Earth and our culture. He asks about secret identities. Later, he is amazed by hot dogs and doesn't understand the concept of money, etc. I suppose it makes sense.

But it makes Clark's actions that much more perplexing. He left Ulysses alone in his apartment when he went to the Planet? He wants Ulysses to stay there when he goes to investigate the lab. He is told by Ulysses that Klerik (the alien the two pounded last issue) is in prison but probably healing.

Why would he leave this powerhouse, who he just met, who he knows nothing about, who doesn't understand our world, whose enemy is healing ... why would he leave him alone in his apartment?

Johns has set this Superman up to be more of a loner. But this seems silly.


The lab is a disaster. But something seems amiss to Clark to the point he calls Perry while there.

I put this in because I thought this sequence, mostly wordless, worked well for Romita including this panel. Amazingly, it mirrors the cover. The cover actually happened!


Meanwhile, Ulysses - calling himself by his birth name Neil - decides to walk the city in civilian clothes, blending in, the explanation Clark uses for needing a secret identity. It is here we see Ulysses acting out of place.

But during his stroll, giant robot army men storm the city. Ulysses springs to action to defend the 'other humans' and eventually Superman joins in. Superman says the soldiers are similar tech to the Titano robot.

Looks like the Toyman is coming back!


We learn what shocked Clark in the labs. Despite the apparent disaster, it seems that Neil's parents (assumed dead in an explosion last issue) survived! And given their history, they assumed new identities. Superman reunites the family.

I have to say I wasn't expecting this. Part of the hook for me in this story is that Ulysses is sort of Superman in reverse, an Earth couple rocketing their son to a new place which will make him super-human. Now I suppose that Neil's birth parents being alive will be used as a foil or as a plot point in the arc. But I am surprised to have this revealed so soon.

This is one of those panels that doesn't seem to work for me. The POV is slightly looking down but it looks like there isn't enough room for Superman at this angle. His head seems small, or his neck small, or something. But he looks odd enough to pull me out of this moment.


But the evil mastermind behind it all, the person I think is the real Klerik, the New 52 Cleric from Superman lore, is watching it all. And he seems to have some stake in this difference. Remember, he said he 'taught' Clark last issue. Now he says he might not be 'alone' soon. Could this be like the old Cleric, using the Eradicator to show Clark his parents in memories?

Overall I thought this was a good issue, the Daily Planet scene being the high point, the action sequence with the army soldier robots also being very good.

I do have some slight worries about how Johns is characterizing Superman. Last issue he moped alone in his apartment. Here he leaves Ulysses behind while he investigates. We barely see Clark interact with any of his friends. I hope we see things turn around. Maybe this arc, looking at a reflection of himself in Ulysses, might move him.

Still ... this felt like a Superman comic, something I haven't always been able to say in the New 52.

Overall grade: B

Thursday, July 24, 2014

Sales Review: Supergirl #32


The buzz last month for DC Comics was around the multiple Bombshell covers that graced some titles. In a brilliant marketing move, DC made the covers not true rare variants but rather available in a 1:1 ration with the 'normal' covers. As a result, readers who are completists might buy both covers and not break the bank. And stores most likely ordered a bit more heavily to cover that possibility.

It seemed to work as most of the titles with a bombshell cover got a nice little boost in sales. Here is the sales coverage for June 2014 on ICv2:http://www.icv2.com/articles/news/29081.html

I still think this was something of a wasted opportunity to cast some light on the Supergirl book, even if it was through something as gimmick-y as a Bombshell cover. Red Daughter has been a very good story. Any publicity is good publicity.


Supergirl #33 was the penultimate chapter of Red Daughter (assuming you choose to ignore the out of context, odd characterization of Supergirl's Doomed appearances).

This issue included Supergirl coming home, fighting the Diasporans, and learning that the head Diasporan was actually World Killer 1. Pretty good second to last chapter, progressing the story and taking us to a place where a satisfying conclusion could be reached.


Sales remained relatively stable. Supergirl remained the 104 ranked book in sales, dropping about 300 units in sales from last month's 22783.

She seems to be in pretty decent company down there. At nearly 3 years in, she is selling as well as such touted newbies as Aquaman and the Others, Elektra, and New Vampirella.

But sales are still slipping, maybe slowly, showing the resilience of Supergirl's fans.

I truly hope that DC does some publicity for the new direction of the book. They certainly are doing that for the new Batgirl just around the corner.


Supergirl also stars in Justice League United. It is still fresh out of the gates with a nice mix of characters and a stellar creative team of Jeff Lemire, Mike McKone, and Dexter Vines.


This book is clicking on all cylinders and selling briskly at 62K. I am hoping that a strong Supergirl in this book might lead to some cross-pollination towards her new book. United is one of my favorite books right now so I am thrilled to see it selling well.

Can't wait to see the 'new' Supergirl.

Wednesday, July 23, 2014

October 2014 Solicits

I haven't been necessarily kind to DC Comics over the last couple of years as it reels from the universal reboot of the New 52, became a darker and grimmer world than I have ever known, misrepresented some of my favorite characters, and treated some of my favorite creators shabbily.

So when DC Comics does something worthy of praise I think I should shout it from the rooftops. October's solicits came out last week and the times they are a-changin' at DC as maybe ... just maybe ... they realize that they can't put all their eggs in the hyper-violent, jaded, grim, cynical basket that this new DCU has become. The entire solicits can be reviewed on CBR .

Now there is a lot that I could showcase here but I use this slot on the blog to review the super-solicits. But one thing stuck out that needed to be shown in full glory here.


BATGIRL #35
Written by CAMERON STEWART and BRENDEN FLETCHER
Art by BABS TARR
Cover by CAMERON STEWART
MONSTERS Variant cover by KEVIN NOWLAN

Barbara Gordon is no stranger to dusting herself off when disaster strikes… so when a fire destroys everything she owned, she spots the opportunity for a new lease on life — and seizes it! Following the rest of Gotham’s young adults to the hip border district of Burnside, Barbara sets about building an all-new Batgirl… and discovers all-new threats preying on her peers! It’s a re-invention of Batgirl from the boots up, by the incredible creative team of Cameron Stewart (BATMAN INC.), Brenden Fletcher (WEDNESDAY COMICS), and rising star Babs Tarr!

Remember when DC 'de-aged' Supergirl in the early 80s sending her back to college after years of being a reporter/guidance counselor/actress?

This feels like that ... like a much-needed and welcomed soft reboot. Now I will admit that I didn't read much of the Simone Batgirl (or even the New 52 Bat-books). But I will read this book. Batgirl suddenly looks like a young hero again, the whole vibe is fresh and fun. There is the sense that this isn't going to be a dystopian book. I even get just the subtle whiff of Steph here. I also get the sense that this book might be something I could give to my oldest daughter.

There are other things that look great this month - Gotham Academy (giving off a similar vibe as this book),  Batwoman heading up a horror-hero team called the Unknowns, New Gods invading the Lantern books. It looks like a wild month. And there seems to be a growing palette of tones in the universe.

Now onto the super-solicits.


SUPERGIRL #35
Written by TONY BEDARD
Art by KARL MOLINE
Cover by GUILLEM MARCH

“SUPERMAN: DOOMED AFTERMATH”! In the waked of the DOOMED storyline, the ALIEN SYNDICATE looks to re-establish its foothold on Earth. But the venom powered Red Hood looks for even more muscle in Kara as they go head to head with the scum and villainy of the galaxy. Plus: an ending that will set Kara on a new course!

Okay, I keep hoping this book will take off, making its own way while being part of the super-family. So I don't know if I am necessarily happy with a Doomed aftermath. And another cover with an angry Supergirl! Haven't we seen enough?

Lastly, after abandoning the red ring do we really need another ending sending Kara on another new course?

I trust Bedard ...


JUSTICE LEAGUE UNITED #5
Written by JEFF LEMIRE
Art by TIMOTHY GREEN II and JOE SILVER
Cover by MIKE McKONE

This issue spotlights the newest member of the team: Equinox of the Moose Cree First Nation! As a rite of passage, Equinox must take down a mystical beast that’s terrorizing her people!

This should be a nice 'rest' issue after the cosmic nature of the Byth/Ultra arc and the beginning of the new arc in the Annual (see below). Plus, we just don't know enough about Equinox. I am happy that she is getting an origin/spotlight issue.


JUSTICE LEAGUE UNITED ANNUAL #1
Written by JEFF LEMIRE
Art and cover by NEIL EDWARDS and JAY LEISTEN

The Infinitus Saga begins as the Legion of Super-Heroes arrive with the shocking news that the 31st century has been destroyed! Now it’s up to the Justice League United to save the future!

Now this is what I'm talking about! I spoke about this a couple of days ago but it is worth hitting the highlights again!

An annual! Supergirl prominent on the cover! THE LEGION OF SUPER-HEROES!!!

And is it the Time Trapper? Or The Infinity Man? Or both?

I cannot express how happy I am to see the Legion again!


ACTION COMICS #35
Written by GREG PAK
Art and cover by AARON KUDER
MONSTERS Variant cover by NEAL ADAMS

“SUPERMAN: DOOMED AFTERMATH”! In the aftermath of “Doomed” – what is left of The Man of Steel? And what’s become of Smallville?

Much like with Supergirl, I am going to be happy when the Doomed arc is in the rear view mirror and Pak/Kuder can go back to stories like the Baka one.

I suppose a look at Smallville post-coma makes sense.


SUPERMAN #35
Written by GEOFF JOHNS
Art and cover by JOHN ROMITA, JR. and KLAUS JANSON

The hit SUPERMAN run by Geoff Johns and John Romita Jr. continues with “THE MEN OF TOMORROW” Chapter four! Superman and Ulysses are still dealing with the traumatic revelations of last issue, but the hunt for The Machinist must continue before his would-be-victims fall into his hands. But what happens when the two heroes learn the truth behind The Machinist and the cost to stopping his mad plan?

Hmmm ... not much to ponder deeply here as I know nothing of the Ulysses revelations or the Machinist.

I do wonder, given the Klerik, if The Machinist might be a riff on The Eradicator.

BATMAN/SUPERMAN #15
Written by GREG PAK
Art and cover by JAE LEE
MONSTERS Variant cover by JON BOGDANOVE

Lord Satanas offers Superman and Batman a deal they couldn’t possibly accept…right?!

I hope it is Lord Satanus and that is a typo. No need to revamp everything down to character names.

This book seems to be in something of a rut where the heroes have to decide to act or not act. From the idea of using the 'weapon' vs destroying it in the first arc to Kaiyo's recent offer to have them change the Earth 2 history, we keep seeing our heroes being tempted.

So will this Satanus story be different enough to grab me?

I wonder if Jae Lee was thinking of Justice League of America #10 when he made this cover.


SUPERMAN/WONDER WOMAN #12
Written by CHARLES SOULE
Art by JACK HERBERT
Cover by TONY S. DANIEL

“SUPERMAN: DOOMED AFTERMATH”! Diana recovers from the events of DOOMED, and the sacrifices and betrayals made. Is love lost? 

Hmmm ... is this the end of the romance?
It does look like it might be the end of Tony Daniel on art on the book. Remember he was one of the biggest pluses this book had.

Is this the end of me buying this book?


SMALLVILLE SEASON 11: CHAOS #3
Written by BRYAN Q. MILLER 
Art by AGUSTIN PADILLA and MARCELO DI CHIARA 
Cover by CAT STAGGS

Things in Metropolis come to a head, but will any Super Heroes heed Tess’s calls for help? Meanwhile, Clark has been released from his crystal prison, but he and Lois are no closer to home than before – that is, until the strange situation makes for even stranger bedfellows!

I love this book and it is great to see what Lex is going to do with that pile of yellow rings we saw at the end of the last arc.

I am jealous of those who read it digitally before me too!

So a very busy and potentially fantastic month from DC. Thanks to the company!

Tuesday, July 22, 2014

New Supergirl/Batgirl Comic by Mike Maihack - Babs' New Costume


I have applauded the Supergirl/Batgirl comics by Mike Maihack in the past. They are delightful showcasing a bright, optimistic Kara and a serious Babs who occasionally let's her fun side peek out.

Well Maihack has done it again, making a Kara/Babs comic about the recent Batgirl costume redesign. Here is the link: http://mikemaihack.tumblr.com/post/92432532892/no-one-is-more-excited-about-batgirls-new-costume

There is sooooo much goodness here. I love how Supergirl is just enamored of the fact that Batgirl has changed her look. And the third panel of her snapping and unsnapping the cape is perfect. Just like that Supergirl has redone her costume and Harley Quinn's costume in a similar fashion. Perfect.

Supergirl costume designs has been an ongoing theme in these strips (as well as how easily Supergirl would defeat Bat-villains) so this strip nuzzles in nicely with what Maihack has done before. Here was his take on Supergirl's Red Lantern time: http://comicboxcommentary.blogspot.com/2014/02/red-lantern-supergirl-arrives-mike.html

But the last panel is so great. A flummoxed Harley, an irritated Babs, and a beaming Supergirl.

Maihack needs a book!

Monday, July 21, 2014

Tony Bedard Says All the Right Things on CBR



With Red Daughter hours away from being behind us, I was hoping that DC would plug the Supergirl book again, now with her back in the classic S-shield costume and back on the right track.

And lo and behold, there is publicity! There is an interview with Tony Bedard over on CBR. And Bedard definitely says a lot of good things to say. Whether it is reflecting on Red Daughter, hinting about the future, or talking about Supergirl in general, Bedard made me feel some optimism.

As always, I will recommend reading the interview in its entirety. But here are the questions and answers that grabbed me ... and my usual commentary.

CBR News: Kara is currently a Red Lantern, and over these past issues we've seen her fit in with the group, act compassionately and, ironically, keep her temper better as a Red than she did as a lost Kryptonian. Do you think being in the Red Lanterns is good for Kara? Would removing her from that team be a detriment to her?
Tony Bedard: The biggest surprise for me about the "Red Daughter of Krypton" storyline has been that Kara has had more fun and upbeat moments as a Red Lantern than as a misfit alien on planet Earth! A lot of the credit goes to Charles Soule's truly entertaining run on "Red Lanterns." He's tapped that book's potential in a way I never anticipated, making it a thoroughly fun read. And having Kara as part of that group gave us a chance to see her through fresh eyes. More important for her, she went from being an outcast to belonging on a tight-knit team, and I think it did her some good. But, long term? I don't think Kara should be defined by Rage. She's better than that.

Bang! Just like that, in the first round, we get all sorts of great stuff!

First off, nice acknowledgment by Bedard about how great Kara was in Red Lanterns. As bizarre as it sounds, it's true. Kara really has sounded her best in Charles Soule's Red Lanterns. She has been heroic, friendly, and reflective on a what a life of rage would be like. I still can't believe I am writing that!

But the best line is the last. Kara is too good to be a rage-driven red. "She's better than that!" I think he definitely showed that in Supergirl #33.

CBR:Along with Kara you've gotten to write many of the other Red Lanterns -- are there any Reds that stick out to you as the most fun to write or to have Kara interact with?
TB: I think that Zilius Zox and Skallox are my favorite duo on the Red Lanterns. The way they play off each other in their own book is terrific, both for action and for laughs. Having them react to Kara was great fun, and those scenes just wrote themselves. It was also fun to write Kara with Bleez, since in a way she represents a cautionary tale for Kara. Giving herself over to Rage completely would make Kara just like Bleez in the worst way.
The scenes with Kara and Guy Gardner were another thing entirely, since Guy is the one Red Lantern who knows what Kara should be -- a positive, inspiring hero like her cousin Superman. Gotta say, though, that writing Atrocitus and Dex-Starr was a unique pleasure. They are perhaps the greatest odd couple in the DCU right now. Once again, hats off to Charles Soule for leading the way on reinventing the Red Lanterns.

I loved how great the scenes with Bleez were in Red Daughter. It is interesting to note how in Red Daughter, Bleez seems almost sympathetic. She bears her rage like a weight on her soul. She doesn't embrace it. And that painful existence shouldn't be what Kara wants.

And imagine Guy Gardner, of all people, recognizing that Kara should be positive and inspiring like Superman. I mean ... in the New 52, even Superman didn't realize that!

CBR: While we're heading to the conclusion of "Red Daughter Of Krypton," Supergirl is also involved in the "Superman: Doomed" crossover as well as appearing in the "Red Lanterns" and "Justice League United" ongoings. As the writer of her solo title, how do you handle the various timelines and stories she's appearing in? Is everything happening to her concurrently, and will she continue to tie into so many different books after September?
TB: I think right now she's having a spike in appearances across the DC Universe, which will soon settle down, but I think it's great for Supergirl that she'll continue having a presence in "Justice League United." I'm looking forward to seeing how Jeff Lemire handles her. We all try to coordinate as much as possible, but we also leave a lot of latitude for everyone to tell their own story. Consequently, events in "Supergirl" may not hit the stands in perfect lockstep with those in "Red Lanterns" or "Justice League United," but at the end of the day, I think it all adds up to one big, coherent saga.

I remember when Supergirl starred in her own book by Sterling Gates and in Justice League of America by James Robinson. In Gates' book, she was suffering with survivor's guilt from New Krypton and was in a morose state, giving up her life as Supergirl.

In Justice League, she responded differently, becoming Dark Supergirl and wallowing in a little bit of darkness that turned out to be a defense mechanism.

Those stories happened simultaneously. But the tone of the character, the overall feeling of her, was congruent enough that I thought it was fine. I am hoping that Lemire and Bedard talk enough to each other to bring some degree of similarity without necessarily being carbon copies.

It certainly isn't happening in Doomed.


CBR: Looking ahead to September, what can you tell us about your "Supergirl: Futures End" story? Does it have any ties to what's happening in the comic now?
TB: It's a pretty major moment as we'll be seeing a reunion for Kara and her father Zor-El, currently known as Cyborg Superman. It also ties into some Grant Morrison issues of Action Comics, but it's a story that pretty much stands on its own.

A Morrison tie-in!!

I am so excited.

That said, I hate Zor-El as the Cyborg Superman.

CBR: Is the issue entirely set five years from the DC present, or will we see some of contemporary Kara?
TB: It's all five years from now, and Kara will have undergone some very dramatic changes. We'll also learn that she had a major romantic interest who will play a big part in her Futures End issue. You can try to guess who, but you won't get it right, I guarantee you.

I'm guessing right now. The Captain Comet we saw in Morrison's Action Comics.

CBR:With the end of "Doomed" and "Red Daughter," where does Kara go from here? Will events in "Supergirl: Futures End" or her involvement in "Justice League Unlimited" impact what happens in your book beyond September?
TB: No, I think Supergirl has had more than her share of crossover action recently. It might be time to let her book settle into a new groove before we link up with another series or event again.
Instead, I think perhaps a little romance needs to come into her life, don't you? The poor girl can't catch a break!

Remember when New Krypton took over the super-books and it took a while for Sterling Gates to get some momentum on the solo book. I agree with Bedard here. This book needs some time to breathe on its own with the 'new' Kara. No H'El on Earth. No Krypton Returns. No Doomed. Nothing ...

Well ... except a crossover with the new Batgirl.

Anyways, there is a lot to cheer for here. Make sure to read the whole thing!